I never did get around to detailing my thoughts on the Michael Bay-produced Teenage Mutant Ninja Turtles, but I did discuss it a fair amount with my friends, and the single biggest complaint I had was that it never slowed down. It was a frenetic and frenzied blitz from start to finish, never really allowing itself to breathe or let its best assets (its characters) marinate in your mind.
That’s actually a big reason why I feel the original Turtles movie (1990) was – and remains – so great. It wasn’t a movie with nonstop action, worried that dialog might bore the audience. It has a strong sense of deliberate pacing, which allowed the four brothers to appropriately display their differing personalities and show off the ways in which they interacted with one another.
So I was delightfully surprised by a comment from Jeremy Howard, who plays the role of Donatello in the newest Turtles flick, that indicated he felt the same way. In an interview with Comic Book Resources, Howard said, “I’d love to see more interaction with the Turtles, more quiet moments where we get to see how they think and what makes them tick.”
Considering I wasn’t really a fan of much of anything in 2014’s TMNT, this is a promising thought from someone directly involved. It doesn’t mean that’s what we’ll get, but at least someone’s acknowledged it.
You know that scene in the movies where two souped-up muscle cars pull up to a stoplight, side by side, and start revving their engines loudly as the tough-guy drivers stare each other down before peeling out and racing off once the light turns green?
Now imagine those two muscle cars are actually fuel-efficient hybrids, which are completely silent when idling. And instead of trying to impress/intimidate one another with loud engine revving and intense eye contact, the two drivers are actually just a couple of socially awkward nerds who are staring a hole in the traffic light and pretending not to notice one another until the light turns green and they quietly drive off in opposite directions.
Because that’s pretty much what happened when a Honda Insight pulled up next to me in my Toyota Prius on my way home from work today.
With talk of Majora’s Mask getting an overhaul as it heads to Nintendo 3DS in February, I started thinking about Ocarina of Time and its debut on the handheld.
Ocarina of Time 3D was a beautiful remaster of a classic, but there was always something special about its original incarnation. I’d venture to say kids today don’t quite understand the imagination conjured by our games back in the ’90s and before, but with the ridiculous popularity of Minecraft and its exceptionally rudimentary aesthetics, maybe they do. Maybe kids today do understand where I’m coming from.
When I was five, I got my first Game Boy, which came bundled with Link’s Awakening. It was my first experience with a Zelda game, and it thoroughly confounded me.
It was the first game that really required me to think, because it wasn’t a linear game set in two dimensions, based on jumping around and going from left to right. Continue reading →