Around two weeks ago, The Wall Street Journal broke the news that Netflix and Nintendo are purportedly working together to develop an original series based on The Legend of Zelda. The source, however, is named only as “a person familiar with the matter,” and neither company has responded to inquiries about the claim.
The “person familiar with the matter” claims this is to be a live-action series, and that Netflix – who’s still looking for writers – is describing the premise as “Game of Thrones for a family audience.”
If these claims are true, and Netflix is in talks with Nintendo to start a series based upon the Zelda franchise, there’s still no guarantee it will ever actually come to fruition. Nintendo is very protective of its properties, having been burned in the past by poor adaptations like the Super Mario Bros. movie and the Legend of Zelda cartoon, so I imagine Netflix would have to really impress Satoru Iwata and Shigeru Miyamoto (among others) to move forward with this.
If this does end up happening, I have some ideas about how I’d like the series to be developed. Continue reading →
Most of us are familiar with the uproar that came from the unveiling of The Legend of Zelda: The Wind Waker for GameCube back in the early 2000s. As is often the case with angry gamers on the Internet, it was difficult to tell if hoards of people were genuinely upset with the cel-shaded art style, or if it was simply a vocal, raging minority screaming through a megaphone. Judging by my friends’ reactions, I think a large number of people were at least initially upset by the art style, largely because they still had images of the Space World 2000 tech demo fresh in their minds.
It was a then-gorgeous display of what a fight between Link and Ganon could (and presumably would) look like on Nintendo’s powerful new console. With 13 years between then and now (oh my God!), I have to say, that once-impressive tech demo did not age well. Wind Waker’s cel-shaded aesthetic, however, still looks gorgeous today. Continue reading →